The Bridge Tools (see below) are custom-made interfaces for each application that RenderMan supports, in collaboration with the application's developers in order to make the best use of the application’s interface. The new Lama Hair Chiang material makes hair shading more predictable and controllable through improved specular highlights and more efficient sampling.Īrtists can mix and match Lama layers in RenderMan Bridge Tools, save those materials and share them through the Preset Browser. Users can build material networks in a modular fashion that includes new methods for energy conservation and dispersion.
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The version 24 software also has a new shading system for layered materials called MaterialX Lama that was originally developed at Industrial Light & Magic, where it has been used in production for some years. When there are differences between the XPU and RIS results, XPU will still create images that indicate the output from RIS, but these differences will be addressed as Pixar continues to develop XPU and add more production features. RIS supports many of the regular RenderMan’s features but adds a new shading pipeline and focusses on ease of use while generating production renders. Using XPU for look development, artists can then use it to transition to the RIS rendering mode, RenderMan's production pathtracer, for final shot production. RenderMan XPU adds live rendering capabilities to the pipeline by returning immediate feedback on complex assets to support faster artistic iteration.
Pixar RenderMan version 24 is now released with a new rendering architecture for animation and visual effects, RenderMan XPU, that upgrades look development and interactivity, and is able to use both CPU and GPU multi-core hardware, separately or in combination.
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